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Plus,‌ in praise of Toni Morrison’s difficulty; how gambling ate the world; Trump has already thrown the 2026 World Cup into chaos; and more.‌.‌.‌
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A roundup of TNR’s culture reporting

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Today: "What Can an Oscar Mean for Palestinian Stories?" Plus, in praise of Toni Morrison’s difficulty; how gambling ate the world; Trump has already thrown the 2026 World Cup into chaos; and more...

 
 

In Praise of Toni Morrison’s Difficulty

Namwali Serpell’s new book embraces the uneasy, unexpected, and defiant elements of her life and work.

By Edna Bonhomme

 

Raging at Media, Pete Hegseth Just Said the Quiet Part Out Loud

He wants "patriotic" coverage of the Iran war. He doesn’t understand: In a democracy, coverage that asks difficult questions of the government is itself "patriotic."

By Greg Sargent

Read now
 

The Editor Who Helped Build a Golden Age of American Letters

Malcolm Cowley championed Jack Kerouac and Ken Kesey—and elevated the status of American writing.

By Greg Barnhisel

 

How Gambling Ate the World

In less than a decade, betting apps swallowed sports. And now they’re doing the same to the news.

By Jacob Bacharach

 

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Palantir CEO Makes Shocking Confession on Disrupting Democratic Power

By Malcolm Ferguson

War and Football? What Kind of Sick Mind Thinks That Video Is Cool?

By Michael Tomasky

Iran Destroys U.S. Missile Defenses as Trump Insists Everything’s Fine

By Ellie Quinlan Houghtaling

 

The Enduring Vigilante Credo of Bernie Goetz

How the subway shooter and his defenders honed the politics of fear and grievance

By Kim Phillips-Fein

 

Love Story Captures the Strangeness of Being a Kennedy

Love Story explores the corrosive effects of celebrity.

By Phillip Maciak

 

The Gen Z Organizers Plotting to Take Down Trumpism

They’ve been studying how MAGA came to power, and they’re preparing to beat them at their own game.

By Jimena Vazquez Munoz

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Academy Awards roundup:

The Year the Movies Went Big on Isolation

With remote locations and characters in exile, some of 2025’s biggest movies gave up on depicting social relations.

By Adam Nayman

 

Marty Supreme Is a Love Letter to the Underdog

By Beatrice Loayza

How One Battle After Another Imagines an Armed Left

By David Klion

 

Something Is Rotten in Chloe Zhao’s Hamnet

By Adam Nayman

Guillermo del Toro’s Frankenstein Plays It Too Safe

By Adam Nayman

 

Sentimental Value Is an Upper-Middle-Brow Crowd Pleaser

By Adam Nayman

Jafar Panahi’s Revenge Road Trip Masterpiece

By Adam Nayman

 

What Can an Oscar Mean for Palestinian Stories?

By Brandon Harris

Cinema that takes on the life and times of Palestinians has rarely been celebrated in the West. Paradise Now (2005) and Omar (2013), both by the Palestinian filmmaker Hany Abu-Assad, were Oscar nominees for best foreign film, and Paradise Now won a Golden Globe in 2006. Last year, No Other Land (2024)—a brutal, indispensable record of the erasure of Masafer Yatta—took home best documentary at the Academy Awards. "It’s difficult to review No Other Land, a documentary by a group of Palestinian and Israeli activist film-makers on the destruction of villages in the West Bank, on a formal level," The Guardian’s reviewer Adrian Horton remarked. "The usual rubric for evaluating non-fiction cinema does not really extend to films whose existence was actively challenged throughout filming, whose makers’ equipment and livelihood were constantly at risk."

 

Trump Has Already Thrown the 2026 World Cup Into Chaos

With less than 100 days until the tournament begins, it is already being tested by war, diplomatic crises, and instability.

By Alex Shephard

Read now
 
 

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