Trump wants to appear eager to minimize out-of-control clashes between government militias and protesters. But he doesn’t want to stop the things causing those clashes in the first place.
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To complement The New Republic’s March 2026 issue, "What Should the Democrats Do?" our writers examine how the Democrats can reestablish themselves as the party of and for the people, hone their messaging, and push the electorate to be more progressive.
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Trump’s zero-sum belligerence has shattered the reputation of the U.S. to such an extent that even Greenlanders are lampooning our savage decline.
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The show is physical and intimate, surprisingly quiet, and rarely looks beyond the two leads. Somehow it works.
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Big Tech has been appropriating this term for years. But with AI, it’s especially inappropriate.
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By David R. Tillman, Justin J. Nelson
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Our screens may be bursting with graphic images of the ICE occupation, but the bulk of the work is boring, invisible—and absolutely vital.
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Join a special group of readers and supporters on a lovingly designed, all-inclusive tour of one of the most spellbinding places in the world. Drawing on The New Republic’s special contacts among local historians, artists, and chefs, we’ve created a first-class experience that will immerse you in Cuba’s colorful and unique history, politics, and culture.
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Daily Blast with Greg Sargent
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Right Now With Perry Bacon
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It was hardly a surprise to anyone when, in December, Bloomberg broke the news that Warner Bros. president and CEO David Zaslav had agreed to sell the historic studio. Ever since Zaslav took over the company in 2021, the former cable television lawyer showed seemingly no interest in running the place as a profitable business. Zaslav buried films like Clint Eastwood’s excellent Juror #2, sending it to fewer than 50 theaters for just two weeks, despite sold-out screenings and critical acclaim. He canceled releases of already finished projects, like the documentary series Peltz Beckhams vs. the Wedding Planners, about Nicola Peltz Beckham’s lawsuit against her wedding planners, as a favor to Zaslav’s racist billionaire friend Nelson Peltz, Nicola’s father. Even as the studio floundered, Zaslav pillaged Warners for hundreds of millions of dollars in compensation, while issuing countless rounds of layoffs. By 2024, he was publicly begging the next presidential administration to allow for more deregulation and mergers.
What was shocking about the Warner Bros. sale was that the company that won the bid was Netflix. Just weeks earlier, Netflix co-CEO Greg Peters had played down his company’s interest in Warner Bros., stating at a media conference that Netflix preferred building businesses to buying them. "One should have a reasonable amount of skepticism around big media mergers," he said. "They don’t have an amazing track record over time."
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The first lady’s documentary was a mess in production—and now it’s struggling at the box office.
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By Ellie Quinlan Houghtaling
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The more thuggish the treasury secretary gets, the more reason to fear the economy will tank.
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